Dropout Recording
April 4th, 2011
We finished mixing our forthcoming EP at Dropout Studios with Tim Cedar (of Part Chimp-fame) this weekend. The whole session was recorded live on to tape and sounds fierce, bitch.
More news & pre-order deets about the EP soon, it’s going to be a very special thing so now’s your warning to make plenty of room for it in your ISDP shrines (keep sending in your pictures of these, by the way, we love ‘em!).
More photos after the jump…
‘STYES IN MY EYES’ Live at Rough Trade East
March 4th, 2011
This is a new song we played at the Rough Trade East album launch.
We played our 100th show in January. Wow. This month we’re going to the studio… More news soon!
Thanking Off 2010
December 28th, 2010
Ice, Sea, Dead People toured twice this year, reclaimed one of their founding-members from the United States, co-released an album with Lost Toys Records, wrote lots of new stuff that you’ll be able to hear next year and, most notably in this news entry, developed a united, democratic voice.
Ice, Sea, Dead People would like to thank the following who helped them this year:
Ash Pocock & Undress to Win Press, Andy Holden, Lost Toys, Daniel Moss, Paul Cox, Tom Robinson, Ash Dosanjh, Shelby Cinca, Gideon Coe, Tom Whalley, everyone at Wysing Art Centre, Everyone to the Anderson, Guy Henderson, Klaus Märtens, Craig at Cargo Records, Yuri Landman plus everyone who bought our stuff, put us on, put us up, played us out and helped us fuck shit up. Let’s do it again, but louder…
P.S. If we missed you out then buy our album for a more comprehensive thank you list.
Audioscope this weekend
November 17th, 2010
We’re playing Audioscope in Oxford this weekend with a bunch of other really good bands. Audioscope have put on some amazine line-ups in the past so we’re really pleased to be invited to play this year’s event.
More info & tickets: audioscope.co.uk
Related show
‘Teeth Union’ reviews so far…
November 2nd, 2010
You may have seen us in the press recently, we’ve been lucky to get some column inches for ‘Teeth Union’ from the NME, Rock-Sound, Loud & Quiet, etc. as well as hitting the radiowaves. Check it out:
Online press:
“This album works as an explanation of exactly why this tense, chaotic guitar attack is always so much fun, no matter how much it hurts. It makes a hero of every kid who can turn their guitar up too loud.”
The Quietus
“Theirs is music for audiences ready to embrace tinnitus. Theirs is a racket that attracts plaudits full of adjectives like “angular”, “abrasive” and “artsy”. Which is, obviously, a brilliant thing; a messy, sketchy, scrambled puzzle of pirouetting riffs and clattering percussion, with vocals atop like rotten cherries, sticky-sweet to the touch but sure to leave a bad taste in the mouth and a pain in the guts.”
BBC
“Ice, Sea, Dead People are clearly not fans of the predictable or safe.There’s enough energy in these pre-packaged twenty-five minutes to power a small country for a year. It makes me want to throw myself across rooms and jump and jerk along with the angular, disjointed noise pouring through my speakers.”
The Line of Best Fit
“An accomplished debut album in a genre that can be very hard to ‘crack.’”
This is Fake DIY
“Keepin’ it punk, energetic and spontaneous in all areas.”
Buddyhead
“Teeth Union’s nine feedback-laden bony punk compositions played too hard and too loud with practically unintelligible lyrics are seriously pleasing things; think White Light/White Heat if it had been recorded in the 21st century by irritated art-schoolers with a budget.”
The Skinny
“Almost plumbing No Wave depths of deconstruction at times, the band’s scathing post-hardcore racket reveals an obsession with smashing both rhythmic conventions and listener expectations.”
Alternative Ulster
